Jazz & Big Band
Mezzo-soprano voice fronting standards, bossa and big band. For hotels, weddings, corporate events and live jazz nights. Repertoire in Spanish and English, from trio up to full band.
Weddings · Hotels · Corporate
Performance, collaborative music, and visual art where my grandfather's traditions find contemporary expression.
Jazz & Big Band · Mezzo-soprano · Ceremony · ES/EN · Puerto Vallarta
Three formats, one voice
Based in Puerto Vallarta. Available across Riviera Nayarit, Sayulita, Guadalajara and all of Mexico, and for destination retreats and weddings.
Mezzo-soprano voice fronting standards, bossa and big band. For hotels, weddings, corporate events and live jazz nights. Repertoire in Spanish and English, from trio up to full band.
Weddings · Hotels · Corporate
30+ ceremonies held with the voice. Live music for retreats, circles, temazcal, and the opening or closing of a process. It follows the pace of whoever is holding the room, not the other way round.
Retreats · Circles · Ceremony
Guest vocals, recording sessions and co-writing. I work with producers and artists who want a voice with roots behind it, in Spanish or English.
Studio · Guest vocals · Co-writing
A full room, one microphone, and the voice exactly as it arrives in person.
This is what the laboratory sounds like: headphones, one microphone, and a song under construction.
Vocal improvisation with traditional instruments, transmitting frequencies my grandfather used in healing ceremonies.
Collaborative performance fusing shadow-work hip-hop with Yaqui musical traditions.
February 28, 2024Mixed media exploring themes of identity, reclamation, and desert landscapes.
Ongoing SeriesNew project in development, bridging traditional Yaqui music with contemporary production.
Coming SoonShadow-integration hip-hop meets Yaqui musical traditions. Our collaboration creates space for healing through rhythm and authentic storytelling.
My voice is tuned to 432Hz, the same frequency my grandfather knew in ceremony. If you are curious, I wrote about why I sing in 432Hz and what it actually means.
I carried songs in my head for years with no way to make them real. No band, no studio, no producer waiting to say yes. Now I build them with AI, and the first time one came back through my ears sounding like me, I understood. You don't have to sing it perfectly, read a note, or wait for permission. You just have to want to hear it.
It still has to feel like yours. So we keep your fingerprints on every choice: where the voice leans in, where it holds back, where the line breaks. The machine fills in the rest. You stay the one who meant it.
No jargon wall. I won't assume you already know what staccato means. We learn the words together, only when you need them.
And no, it isn't cheating. You're making music you actually want to listen to. You don't owe anyone a definition for that.
Not a course. Not a coach. Just an artist a few steps ahead, learning out loud, leaving the door open.
Small rooms where the sound stays close and gentle. And behind every one of those rooms is someone who wants the same thing: guests who leave different than they arrived, who talk about it, and who come back.
Close enough that the room goes quiet on its own, and a story between songs can hold a whole table still.
The bowls stay soft enough to fall into, never so loud you brace against them. These are my grandfather's frequencies, carried with reverence, not costume. Guests don't perform calm here. They let the holding loosen something, and the tears come on their own.
Medicine-music main stages.
Women's empowerment gatherings.
Lineage carried back into the room by someone still learning it, the way it was meant to be passed on, not put on.
The retreat week your guests keep describing years later. Opening and closing ceremonies, live music woven through the program: the one part no other retreat can copy.
A live voice turns a lobby into the place guests stay for one more drink, post about that night, and book direct the next time. Intimate jazz, canción latina, acoustic sunset sets: the atmosphere a speaker cannot give.
More than 30 ceremonies have taught me how to read a room and hold it. Tell me about yours and the people you want held. We will feel out the fit together.
Get in Touch →Before you write, if you want to know the craft: what 30 ceremonies taught me.